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Audiobooks Reading Life

Would You Like a Little Company?

by Patron Service Associate & Creative Content Coordinator Hannah

I like walking quietly—hearing the birds, noticing the rustle of the trees, thinking my thoughts—but sometimes I enjoy a little company. Not necessarily a loved one beside me, but a voice telling a story while I move through the world.

Between screens, notifications, and the ever-growing to-do list, a walk is an excuse to literally step away for a little while, especially if you have  no particular destination in mind. And there’s something about an audiobook that can transform that walk into an adventure, a mystery to puzzle out, or a journey somewhere new.

Some days I want a mystery that keeps me guessing. Other days I want to learn something new, laugh out loud, or travel somewhere far from home. Here are a few listening moods to try on your next jaunt.

A twisty story can make you want to keep walking till you get to the end. In The Woman in Suite 11 by Ruth Ware, an invitation to the press opening of a luxury Swiss hotel owned by a reclusive billionaire seems like the answer to a prayer. But is it? Fans of The Woman in Cabin 10 will enjoy revisiting Lo Blacklock in this suspenseful sequel.

If you are feeling a bit bitten by the travel bug, American Rambler: Walking the Trail of Johnny Appleseed by Isaac Fitzgerald feels like a once-in-a-lifetime trip without the stress of packing, while Ann Patchett’s State of Wonder can quietly shift familiar streets into an Amazonian expedition that makes you thankful for Ohio weather.

If you’re feeling curious, walks are a good time to learn something new. Replaceable You: Adventures in Human Anatomy by Mary Roach has a way of settling into your thoughts so naturally that you don’t notice how much you’ve picked up until you’re bringing the topics up in conversation later.

If you’re feeling cozy or in need of a soft place to land, The Curious Kitten at the Chibineko Kitchen by Yuta Takahashi, translated by Cat Anderson, invites you in for a soul-nourishing meal in the company of a kitten.

If you’re feeling adventurous, Daryl Gregory’s When We Were Real will introduce you to memorable characters and make you wonder if we are all actually walking around in a digital simulation.

If you need a laugh, a funny audiobook can make miles disappear. Anxious People by Fredrik Backman finds humor in a failed bank robbery, an apartment showing, and a cast of wonderfully imperfect people.

Whether you’re walking around the block, wandering a local trail, or just making a grocery run, I hope one of these stories keeps you company along the way.

And with that… try to do as I say and don’t always do—stretch.

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Reading Life

 The Magic of Made-Up Words

by Patron Service Associate & Creative Content Coordinator Hannah

Every so often, a word gets stuck in my head, taking up residence for a day or so, alongside the occasional tune, lyric, or jingle. Recently, that word was Dushegubs, the name of a species of calculating, homicidal, tree-like beings from Sweep of the Heart by Ilona Andrews.*

But much to their indignation, this isn’t a blog post about Dushegubs. It’s about something bigger: the magic of a writer’s ability to invent words that land in a reader’s mind and mean something!

One of the most well-known examples of a writer who shaped new words to capture concepts, feelings, or humor that existing language couldn’t quite capture is William Shakespeare. Scholars credit him with the earliest known written examples of some 2,000 words. What’s fascinating is that Shakespeare’s made-up words often feel completely natural. That’s because many of these words were created using recognizable linguistic strategies.

One of the most common was combining existing words to form something new and precise.

  • Eyeball (eye + ball) and bedroom (bed + room) were both first recorded in A Midsummer Night’s Dream. Though the components would have been familiar, the combinations were new and almost immediately understandable.

Shakespeare also expanded English through prefixes and suffixes, transforming meaning with subtle shifts.

  • Lonely comes from lone + -ly and appears in Coriolanus.
  • Savage already existed, derived from the Old French sauvage and the Latin silvaticus (“of the woods”), but Shakespeare extended its use into forms like savagely, first recorded in Othello.

Fluent in Latin, French, and Italian, Shakespeare frequently borrowed and reshaped words, anglicizing them or recombining roots for expressive effect.

  • Assassination comes from the Italian assassinare.
  • Dexterously derives from the Latin dexter, meaning skillful.

Other authors followed similar paths. Charles Dickens is thought to have blended scrouge (to squeeze) and gouge (to cheat) when naming his 1843-character Scrooge, a name that has since become shorthand for a miserly person.

Meanwhile, Theodor Seuss Geisel—better known as Dr. Seuss—prioritized sound and rhyme. Words like wocketh, yuzz-a-ma-tuzz, and sneeches rely on phonetics and sound symbolism, and align with Seuss’ broader goal of helping young readers recognize sounds and patterns. Lerkim perfectly captures the lurking nature of the Once-ler’s shack in The Lorax. Grinch sounds unpleasant, grumpy, and sly before you even know who he is, let alone if you have any knowledge of the French word grincheux.

Interestingly, Dr. Seuss’ If I Ran the Zoo is often credited with the first printed appearance of the word nerd, though not in its modern sense. Unfortunately, National Word Nerd Day, an unofficial celebration of language, vocabulary, and wordplay, fell on January 9, so we’ll have to catch it next year.

Invented words are such a novelty! They interrupt our habit of skimming, forcing us to pause and decode, and I find that moment of engagement rewarding. Some invented words don’t stop at being memorable. They migrate out of our books and into everyday language to fill a gap or because they are simply too good to ignore. Like John Milton coining pandemonium in his epic poem Paradise Lost for the capital of Hell, combining Greek pan (all) and daimon (demon). 

And then there’s J.R.R. Tolkien, a master of immersive world-building who didn’t just invent words, he built entire linguistic systems! Terms like hobbit, ent, and orc feel ancient and inevitable, even though they were newly minted. His words stick because they sound rooted, purposeful, and perfectly suited to the world they inhabit.

So, when a word takes up residence in your head, pause and enjoy it. Chances are, it was made with care. 

*Dushegubs comes from the Russian dusha (soul) and the verb gubit (to destroy).

Recommended Reading:

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Reading Life Recommendations staff favorites

Questions for Your Consideration and Inspiration (Part 1)

by Public Service Associate Juliana

I recently read a New York Times “By the Book” interview with Louis Sachar (for free with my library card!) and I found myself thinking how much I would love to ask my coworkers some of these questions. There were so many responses I decided to post it in two parts. Enjoy!

Categories
Reading Life Recommendations staff favorites

Questions for Your Consideration and Inspiration (Part 2)

I recently read a New York Times “By the Book” interview with Louis Sachar (for free with my library card!) and I found myself thinking how much I would love to ask my coworkers some of these questions. There were so many responses I decided to post it in two parts. Enjoy!

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Reading Life

What’s Your Reader Personality Type?

by Associate Librarian Leah

You may have taken various tests/quizzes to figure out your personality type/s (Enneagram, Myers Briggs, etc). Have you ever considered what your reader personality type is? I recently found this list of reader personality types from Author Janie Crouch’s Facebook page.